I’m noticing more and more how the movement and body language comes from
stories of families breaking a part. There is a lot of moving with spirals and
moving from the spine. I feel like all of the dancers have this clarity to fall
back on while simultaneously being asked to communicate a story through their movement. Silvana reinforced the kind of quality of movement that she was looking for by instructing the dancers to
warm with an improvisation exercise. The exercise had a set intention of two body
parts moving in two different directions. While doing the improvisation
exercise, Silvana said “look for the accident”. Later, in rehearsal she also said, “it doesn’t look
like you’re connecting to each other, it looks like you’re stretching
yourselves”. This meant that the dancers were focusing more on their
individual body movement than the theme of the piece. As soon as Silvana gave
that statement, the dancers turned their focus to the intention of the piece, which
is about supporting each other. It’s
important for me to learn how to give necessary and clear corrections to
dancers in the future when I am creating my own piece. Something else that I observed was that while the dancers where
dancing separate from each other, it did not make as much of an impact as when
they all came together and mover together. Silvana noticed this too and
instructed the dancers to move closer together during one section. The
difference seemed like a bunch of small bodies versus one big body. This also helped the dancers to be more connected.
I am very inspired to make my own work after working with
Silvana and her dance company. Watching the process was extremely influential to me as an artist. I’ve learned how to choreograph in the past, but I haven’t learned how to
speak to dancers or how to affectively communicate a vision to both an audience
and the dancers/artists that I am working with. Now I have a better understanding of how to
make my vision come to life. Most importantly, I now have the confidence to do
so. I wouldn’t call Silvana my boss or someone who I was working for, but more
of a teacher. I was constantly learning from her. She told her dancers, “You
don’t have to act, that’s when it doesn’t work”. This is something that I will
remember to tell dancers that I am working with. The natural way that the
dancers acted while performing was compelling.
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